We often take for granted the fundamental
role that numbers play in our lives. In modern times we have been so busy in manipulating
numbers for the sake of counting and calculating, that many of us are unaware that they also
contain a symbolic meaning. Numbers do not merely have a quantitative
nature, but also a qualitative one. Several philosophers, alchemists and mystics
throughout history have associated religious or mystical ideas to numbers. Perhaps the most important one of all is the
6th century BC philosopher and mathematician Pythagoras, who saw numbers as the arche or
fundamental underlying substance of reality. He thought that they had divine properties,
and as such, that they were tools for communicating with the Supreme Being. Thus, a proper understanding of numbers could
lead to an understanding of the basic structural principle of the universe, a notion that influenced
the field of sacred geometry, which studies the geometric patterns and forms present in
the world, for they are considered sacred and are believed to convey a sense of harmony
and order in the universe. Languages such as ancient Greek and Hebrew,
did not have the Arabic numerical system, and used the letters from their alphabets
as numbers. The ancient Greeks practiced isopsephy, in
which the numerical values of the letters in a word or name are added together and then
reduced to a single digit. Those that reduced to the same digit were
compared and analysed for deeper meaning. This goes back to the Pythagorean tradition. The Hebrews did the same through a practice
called gematria, in which they assigned mystical meaning to words and names based on their
numerical values, particularly in Kabbalah. In China, numbers are associated to the sounds
they make when said out loud. Some numbers are believed to be auspicious
or inauspicious. For example, 4 is related to death, and 8
is related to wealth. Similar practices exist across the world,
which reflects the human tendency to find symbolic meaning and patterns in numbers and
language. Today, this practice is known as numerology,
popularised in the early 20th century. Pythagoras is considered the father of numerology,
because of his interest in the mystical properties of numbers. The resurgence of this practice added a new
layer, namely, using numbers to understand oneself. A practice that is prevalent in esoteric circles. Numbers in themselves possess psychological
values and meanings, and from their combination, particularly of name and date of birth, the
characterological pattern is interpreted. Thus, numerologists, astrologists, and psychologists
all have their unique approaches, but their goal is fundamentally the same, it is the
age-old maxim, “know thyself.” The Swiss psychiatrist and psychologist Carl
Jung stated that mathematics ruined the experience of school for him. Given this distaste, one might expect that
Jung would have ignored or dismissed numbers and anything linked to the subject. But not so, Jung had a long fascination for
numbers, and came to see them as archetypes (instinctual patterns of behaviour of mankind). He was interested in what the collective unconscious
had expressed from time immemorial about each natural number. In his study of alchemy, Jung noticed that
many authors associated mystical ideas to numbers. This, he believed, were the first attempts
to outline the total order of the collective unconscious, as the sum of the archetypes. Numbers have existed from eternity, predating
humanity itself, and is carried in the heritage of animals and insects, which although they
may not possess the same level of abstract mathematical understanding as humans, they
often use basic numerical skills for survival, navigation, and communication. Thus, numbers seem to be the simplest and
most elementary of all archetypes, being the very matrix of all others, and consequently,
they are primordial images which reach farther into the depths of the unconscious than any
other archetype. Jung defines number as the archetype of order
which has become conscious. Number helps more than anything else to bring
order into the chaos of appearances. That they are archetypes emerges from the
psychological fact that natural numbers, given the chance, amplify themselves immediately
and freely through mythological and symbolic statements. For some reason, we intuitively feel that
some numbers, like 7, make us feel good, while others, like 13, terrify us. It is as if numbers were linking our soul
to that which is beyond ourselves. Even numbers are appealing as they create
symmetry, odd numbers, oddly, cause interest. While we consciously use numbers quantitatively,
the unconscious uses numbers qualitatively. Dreams speak the language of nature, which
is expressed in symbols. Although numbers can appear in dreams explicitly,
it is more frequent that they appear implicitly. Instead of dreaming of a specific number,
you might dream, for example, of being in the second floor of a building, inside a room
with three people, or in a circular garden, etc. Paying attention to these small details can
allow one to further amplify the meaning of dreams, and better understand their contents. From decades of work with patients, Jung came
to see that numbers play an exceedingly important role in dreams, for they are frequent images
used by the psyche for expressing the coming to consciousness of the Self, the total personality
of an individual, which includes one’s conscious and unconscious contents. The Self is the archetype of wholeness, or
what Jung calls a God-image. Numbers are the structural characteristics
of the Self symbol, and as such, are crucial for individuation, the lifelong path towards
psychic wholeness. It is not a linear process, but rather a circular
one, which works through a circumambulation (circling around) of the Self. It is generally believed that numbers were
invented by man, and are therefore nothing but concepts of quantities, containing nothing
that was not previously put into them by the human intellect. But, for Jung, it is equally possible that
numbers were found or discovered. In that case they are not only concepts but
something more—autonomous entities which not only contain quantities, but also certain
qualities. Numbers have life, they are not just symbols
on paper. As archetypes, numbers have the quality of
being pre-existent to consciousness, and hence, of conditioning it rather than being conditioned
by it. They are discovered inasmuch as one did not
know of their unconscious autonomous existence, and they are invented or devised insofar as
they are brought into human consciousness, with their presence being inferred from similar
representational structures. People don’t have ideas; ideas have people. Jung writes:
“[W]hole numbers possess that characteristic of the psychoid archetype in classical form—namely,
that they are as much inside as outside. Thus, one can never make out whether they
have been devised or discovered; as numbers they are inside and as quantity, they are
outside… I therefore believe that from the psychological
point of view at least, the sought-after borderland between physics and psychology lies in the
secret of the number. Hence the saying, fittingly enough, that man
made mathematics, but God made the whole numbers.” Psychoid (soul-like) is a term coined by Jung
that refers to the irrepresentable nature of all archetypes, which do not fully belong
in the psyche, nor in matter, but rather transcends both and yet provides a bridge to them as
the unifying element. This is known as the unus mundus (the one
world), which is the transcendental unity of existence that underlies the duality of
psyche and matter. As the most primitive archetypes, numbers
become vital in understanding this connection. Numbers belong to both worlds, the real and
the imaginary, the world of matter and psyche, it is visible as well as invisible, quantitative
as well as qualitative. In this connection, Jung writes:
“I always come upon the enigma of the natural number. I have a distinct feeling that Number is a
key to the mystery.” Numbers are autonomous entities that exist
independently of human influence. It is with these inherent truths, that man
made all the complex and advanced mathematical concepts and theories. Numbers had their significance before men
used them as instruments, however, in the instant that they are used as mere instruments
for calculation, they become dry and lose their symbolic meaning. Jung writes:
“To the former [the mathematician], number is a means of counting; to the latter [the
psychologist], it is a discovered entity capable of making individual statements if it is given
a chance. In other words: in the former case number
is a servant, in the latter case an autonomous being.” Jung coined the term synchronicity to explain
how an inner image (dream, thought, vision, mood, premonition, etc.) can appear in the
outer world, as if the boundaries between psyche and matter were to collapse. For instance, you might dream of an important
person in your life that you have not talked to for many years, and still have unfinished
business with. Then you wake up to find a call from an unknown
number, which you later find out is from that person, who could have appeared in subsequent
dreams, but instead appeared in reality. That is a synchronicity. One’s inner image, somehow, “appeared”
in the outer world. Synchronicity is not based on causality, but
rather on a meaningful correspondence of events. Synchronicity can also appear directly in
the outside world, through seeing a particular number or set of numbers appearing in your
life over and over, as if there is a message being sent to you. The number 11:11 is a common series of numbers
people see. You might also find multiplies of 11, like
22, 3:33, 444, etc. These repeating digit numbers are referred
to as angel numbers. There is something peculiar about numbers
that seem to be related to synchronicity, as both share numinosity and mystery as their
common characteristics. However, whereas the properties of natural
numbers have existed from eternity, synchronistic events are acts of creation in time. That is to say, they appear to be linked up
with an individual’s inner development and is in some way dependent on it. Jung calls synchronicity the parapsychological
equivalent of the unus mundus. As Jung grew older, he became increasingly
interested in understanding how each number has an individual personality, and wanted
to take a further step into the realisation of the unity of psyche and matter through
research into the archetypes of natural numbers, especially the first four, which occur with
the greatest frequency and have the widest incidence. Jung began writing notes on the first five
natural numbers. Two years before his death, however, he was
too old to continue this project and handed his notes over to one of his closest colleagues,
Marie-Louise von Franz. After Jung’s death, she was devastated and
felt that she couldn’t continue this project anymore. But her conscience would not let her rest,
so she eventually picked up the topic and wrote her book, Number and Time: Reflections
Leading toward a Unification of Depth Psychology and Physics. A notoriously difficult work, which von Franz
herself called “unreadable”. Despite its difficulty, it is a major elucidation
and elaboration of Jung’s work. Von Franz delves into the archetypal and symbolic
meanings associated with the numbers 1 to 4. She postulates that representations of this
quaternio of archetypes provides the dynamical patterns which underlie all processes of perception
and symbol formation in the psyche and account for the structure and transformations of matter
and energy in the physical world. Von Franz was struck, particularly since the
discovery of quantum physics in the early 20th century, that just as the psyche has
a numerical characteristic “built in” to its very being, so does nature. She explores how the realms of mind and matter—psyche
and physis—are both numerically structured, hinting at how the inner world and outer world
are united as if they were one, which is what makes synchronicity possible. Von Franz’s general hypothesis is that all
mental and physical phenomena are complementary aspects of the same unitary, transcendental
reality. At the basis of all physical and mental phenomena
there exist certain fundamental patterns of behaviour called archetypes. The world outside is somehow contained within
our minds, while at the same time our minds are contained within the world. As above, so below; as within, so without. Therefore, as one delves deeper within the
unconscious, one gets a better understanding of the world as well, because we are a microcosm
existing within a macrocosm. We will now move on to interpreting the psychological
and symbolic meaning of the most primal numbers (1 to 4), using the works of Jung and von
Franz, Pythagoras and his followers, and other works such as Theology of Arithmetic by Iamblichus,
and The Three Books of Occult Philosophy: Book II by Heinrich Cornelius Agrippa. Psychologically, the number 1 refers to primal
unconsciousness. It is a state of non-differentiation, in which
we are not yet aware of our potential, which lies undiscovered and undeveloped. As such, it symbolises the principle of individuation
in the state of unrealised potential. One is no number, hen to pan (one is all). This is expressed in the ancient symbol of
the ouroboros, depicting a snake eating its own tail. Jung writes:
“One, as the first numeral, is unity. But it is also “the unity”, the One, All-Oneness,
individuality and non-duality—not a numeral, but a philosophical concept, an archetype
and attribute of God, the monad.” It is not surprising that the number 1 or
monad is generally treated as a symbol of unity and the origin of all things. The Pythagoreans used a circled dot to symbolise
the monad, an infinite circle whose centre is everywhere and circumference nowhere, a
symbol of the unus mundus. One of the suggested origins of the word “religion”
comes from the Latin “religare” (to bind again). The task is to reunite our fragmented dual
nature with the One. Likewise, the word “yoga” comes from the
ancient Sanskrit word “yuj” (yoke or union). It is the union of the material with the spiritual,
the individual self with the supreme self. Totality is superior to the parts. As beings of a dual nature, elevation is motion
toward unity. The Pythagoreans did not consider 1 to be
a number at all, because number means plurality, and 1 is singular. The One is the origin of all numbers. All other numbers can be created from 1 by
adding enough copies of it. Interestingly, multiplying 111,111,111 times
itself equals to: 12345678987654321. Therefore, the monad runs through all the
number series, through the one-continuum. With its retrograde relationship to the primal
monad each number “reaches across” to its successor. This hen-to-pan aspect is specific to all
numbers. While in the threshold of consciousness numbers
appear to be individual entities, in the unconscious they interpenetrate and overlap (as do all
the other archetypes). The unity is itself the active principle,
and number is the passive one. For when the One is multiplied it produces
no other number than itself. The Unity is the beginning and end of all
numbers. It is the source of all things. Out of the monad, comes the dyad, which Pythagoras
associated with “audacity”, because of its boldness of separation from the one, and
“anguish” because there is still a sense of tension of a desire to return to oneness. It is also associated with matter, and seen
as evil. Two is actually the first number, as it is
the source of polarity, light and darkness, order and chaos, which alone makes existence
possible. In the Book of Genesis, God praised all the
seven days of creation stating that “it was good”, except the second day, the origin
of division in creation. The alchemist Gerhard Dorn says that the number
two belonged to Eve. For this reason, the devil first tempted her. A secret relationship thus arose between the
number two, the devil, and woman. This devilish principle of duality sought
to build a creation in opposition to God. Thus, it is the number of discord, confusion,
and misfortune. It is also, however, the number of charity,
marriage, mutual love, and society. As it is said by the Lord, two shall be one
flesh. It is better that two be together then one,
for if one shall fall, he shall be supported by the other. Since antiquity, both in the West and the
East, even numbers have been regarded as feminine and odd numbers as masculine. It is also present in alchemy. Two is the first even number and also the
female principle. In practically all cultures and religions
of the world two identical demons or divine figures are found acting as the guardians
of the entrance to the Beyond, in psychological terms, the collective unconscious. For example, in Hindu mythology, Jaya and
Vijaya are the two gatekeepers of the abode of Vishnu, known as Vaikuntha (the place of
eternal bliss). In Egyptian mythology, the deity Aker appears
as a pair of twin lions, guarding the sun-disk, the gate to the Beyond, and the Lamassu are
Assyrian protective deities depicted as winged bulls or lions with human heads that were
placed at the entrance to palaces or cities to ward off evil forces. Identical duplications of figures or objects
in dreams or in myths, point to the fact that a content is just beginning to reach the threshold
of consciousness as a recognisable entity, taking the first step toward manifestation. Whenever a latent unconscious content pushes
up into consciousness, it appears first as a twofold oneness. For this reason, nearly all cosmogonies begin
their tales of the emergence of world-consciousness with a duality: creator twins, a god and his
“helper”, or, as in Genesis, the earth “without form and void”, over which the
Spirit of God moved. Psychologically, the number 2 represents a
conflict being generated for the purpose of bringing our inner potential to consciousness. The unconscious has a compensatory role, insofar
as it compensates the one-sided tendency of one’s conscious attitude. Jung writes:
“[M]an’s real life consists of a complex of inexorable opposites—day and night, birth
and death, happiness and misery, good and evil. We are not even sure that one will prevail
against the other, that good will overcome evil, or joy defeat pain. Life is a battle ground. It always has been, and always will be; and
if it were not so, existence would come to an end.” Every human being is born in a paradisiacal
state, in original wholeness—whereby the infant is completely submerged in the unconscious,
without a developed ego. This is the state of non-differentiation,
where one naively participates in one’s surroundings in a state of uncritical unconsciousness,
submitting to things as they are. The infant’s individuality is in complete
identification with the mother, who provides protection, comfort and nourishment. As the infant grows up and adapts to the world,
he develops an ego (a sense of “I”), which slowly emerges out of the Self, and thus begins
the disintegration process necessary for selfhood. This natural process is described in the Garden
of Eden myth with the eating of the forbidden fruit. Another version is the Prometheus myth described
by the Greek epic poet Hesiod. Prometheus’s mischief angers Zeus, who decides
to hid fire from humans. Prometheus steals the fire back and gives
it to mankind, this enrages Zeus and Prometheus is punished. Zeus sends the first woman to live with man,
Pandora (literally “all gifts”), who carries a jar with her from which were released sorrow,
disease and death; only one thing was left behind—hope, outlining the end of the Golden
Age. Plato describes our prior existence as immortal
souls in a state of unity, before our souls descend into the body after drinking from
the River of Forgetfulness. We innately know we have come from wholeness,
but we come to forget what we once knew. Thus, we spend our lives in search of that
which will enable us to remember the wholeness we once knew. A similar idea is found in the Buddhist cycle
of birth, death, and rebirth—known as samsara. The process involves the forgetting of past
lives and experiences with each new incarnation. The goal is to break free from this cycle
through enlightenment (nirvana). In short, we are born integrated, we disintegrate,
and we have to reintegrate. The task of life is to become whole again,
but on a higher level of consciousness. This is the sine qua non of all self-realisation. The primary relationship in all of our lives
is that of the dual relationship between ego and Self, what Jungian analyst Erich Neumann
has called the ego-Self axis, further elaborated by Jungian analysts Edward Edinger and Michael
Fordham. The ego cannot exist without the support of
the Self, and the Self needs the ego to realise it. They are necessarily connected, and together
provide a vital link to human consciousness. The ego is like the boat which carries you
in the vast ocean of the unconscious. Without it, one would stand no chance against
the amoral unconscious forces, which are expressions of nature—they are not as concerned, as
we are, with human values and ethics, but belong to a realm closer to the instincts,
which Jung calls the images of the archetypes. Generally speaking, the priority of the first
half of life consists in building the ego: education, relationships, work, etc (ego-Self
separation), and in the second half of life one turns to one’s inner life: dreams, meditation,
contemplation, etc (ego-Self union). However, this may be an oversimplification,
as the process of alteration between ego-Self separation and ego-Self union is not a linear
process, but seems to occur in a circular process throughout life, both in childhood
and in maturity. This connection which provides life vitality
may be severed through childhood trauma, or if one spends one’s life focused solely
on ego-consciousness. But how are our conflicts in life resolved? Jung writes:
“[E]very tension of opposites culminates in a release, out of which comes the “third”. In the third, the tension is resolved and
the lost unity is restored.” Out of one comes two, but from the pairing
of these two comes the third. This third element or triad is what Jung calls
the transcendent function, which arises from the union of conscious and unconscious contents. If we can endure the conflict that is assaulting
us, something happens: it is resolved or reconciled. Three is the synthesis to the thesis and antithesis,
and thus provides a healing function. Three symbolises the resolution of our human
conflict through that which is higher and beyond our will, but which we provoke to come
into existence by facing our conflict, which is what wanted to come into consciousness
in the first place. The alchemists called it tertium quid (“third
thing”), an unidentified and mystical essence that emerged from the union of two known opposing
elements. In China, the progression of numbers correspond
to the cosmic rhythms of Yin and Yang, wherein any extreme is opposed in order to restore
balance, and is united in the indescribable and nameless Tao. This leads to the paradox that the powers
confront one another, but they are not in conflict—as they are held together by a
third element. Similarly, Heraclitus believed that the fundamental
principle of the universe is change and that opposing forces end up coming together to
form a harmonious unity. Thus, we may say that three consists of what
unites the opposites. Three serves as a symbol of a dynamic process,
and is the formula of all creation. The belief or hope that the third attempt
at something will be successful is expressed in the saying, “third time’s the charm.” It is relevant that three is the first odd
number and male principle. The poet Virgil sings, “God delights in
an odd number”, and Shakespeare says, “There is divinity in odd numbers.” Jung observed that the idea of a religious
trinity is quite old. He writes:
“Triads of gods appear very early, at a primitive level. The archaic triads in the religions of antiquity
and of the East are too numerous to be mentioned here. Arrangement in triads is an archetype in the
history of religion, which in all probability formed the basis of the Christian Trinity… I would mention as an example the Babylonian
triads, of which the most important is Anu, Bel, and Ea.” These triadic structures of gods and mythological
figures appear in different ways, such as one main figure flanked by two companions,
which represents the realisation of the unity of its inner opposites, and the emergence
of the One in consciousness. For example, in the Roman mystery religion
of Mithraism, the god Mithras is accompanied by two figures: Cautes and Cautopates, the
first one holds a torch pointing upward, and the second one holds a torch pointing downward. The triadic structure can also appear with
three equally important and identical figures, which represents a preconscious or older form
of the archetype. For example, in ancient Greek and Roman mythology,
the Fates are three sisters who control the destiny of both human beings and gods. One spins the thread of life, another one
measures the thread allotted to each person, and the final one cuts the thread of life
when a person’s time has come. In Norse mythology, they are called the Norns. The motif of triple goddesses was widespread
in ancient Europe. The triadic structure we are most familiar
with, however, appears as three different deities of equal importance. In the Egyptian myth of creation, there are
three deities: Isis, the goddess of magic, motherhood and fertility, Osiris, the ruler
of the underworld who is a symbol of rebirth, and Horus, the falcon-headed son of Isis and
Osiris, associated with the sky, light, and divine kingship. Christianity has the Trinity, the Father,
the Son, and the Holy Spirit. Hinduism has the Trimūrti, Brahma the creator,
Vishnu the preserver, and Shiva the destroyer. The most sacred Hindu symbol is “Om” or
“Aum”. The latter carries the theme of creation,
preservation, and destruction. Thus, though a plurality is accomplished by
the number three, in many respects it clearly maintains its oneness. This “three-oneness” is the rediscovery
of unity on a higher level. Three is seen as a symbol of perfection and
completion. The soul, the body, and the spirit; the beginning,
the middle, and the end; birth, life, and death; past, present and future. Three is also a symbol of wisdom, harmony,
and piety. In the Hermetic tradition, the syncretism
of the Greek god Hermes and the Egyptian god Thoth has the epithet “Trismegistus” (Thrice
Great). By three the world is perfected. He is the archetype of the Wise Old Man, and
author of the Emerald Tablet, which is supposed to contain all the knowledge and mysteries
of the world, in just a few lines. The illusion of separateness is the root of
ignorance. There are two types of ignorance: the ignorance
of not knowing (which must be elevated), and the ignorance of wrong knowing (which must
be dissipated). Wisdom is equidistant from all extremities;
it consists of reconciling the divided parts. Aristotle spoke of the golden mean, in which
the greatest virtue lies between a deficiency and an excess of a trait, such as confidence
between self-deprecation and vanity. Earth is the middle place between heaven and
hell. Dante’s Divine Comedy has three parts: Inferno,
Purgatory, and Paradise; with Purgatory being the place of purification of the soul, where
imperfections are burned away; for only truth survives the fire. The shamanic cosmos has three worlds: The
Middle World, the Underworld, and the Sky Realm. These are linked together by a central world
axis, the Axis Mundi, at the centre of which is a tree, pillar or mountain; sacred symbols
of the Self. Perhaps the most popular image is that of
the World Tree. It is a Tree of Life and also a source of
the wisdom of the ages. In Norse mythology, it is called Yggdrasil. This mighty and sacred ash tree is at the
centre of the cosmos, and around it exists all else, including the Nine Worlds. When the tree trembles, it signals the arrival
of Ragnarök, the destruction of the gods and of the world. Plato speaks of the tripartite nature of the
human soul. Thumos (roughly translated as “spiritedness”)
is the middle region between reason and appetite. In the allegory of the chariot, Plato depicts
the human being as a charioteer (who represents thumos). He is being pushed by two winged horses: a
mortal dark horse that descends (appetite), and an immortal white horse that ascends (reason). The charioteer must direct these two conflicting
forces in order to follow the path of the Good. The triune, “the Good, the True, and the
Beautiful” is rooted in philosophical and theological traditions. The three theological virtues are faith, hope,
and charity (love). There is a popular saying that, “good things
come in threes”. The threefold path of Asha is considered the
core maxim of Zoroastrianism: good thoughts, good words, and good deeds. In Japanese mythology, there are Three Sacred
Treasures: the sword, the mirror, and the jewel, which symbolise valour, wisdom, and
benevolence, respectively. Similarly, The Three Treasures or Jewels are
the basic virtues in Taoism. Laozi states:
“There are three jewels that I cherish: compassion, moderation, and humility. With compassion, you will be able to be brave. With moderation, you will be able to give
to others. With humility, you will be able to become
a great leader.” A central concept in Buddhism is the Triratna
(Three Jewels), which reminds disciples of the three core teachings: Buddha (the Awakened
One), Dharma (the teachings), and Sangha (the spiritual community). Three were the gifts of the Magi to Christ:
Gold, frankincense, and myrrh, which are symbolic of Christ’s roles as a king, priest or mediator
between humanity and the divine, and of a sacrificial saviour. Fairy tales, which for Von Franz represent
the purest and simplest expression of collective unconscious psychic processes, often contain
the number 3: three brothers or sisters, three animals, three items, three quests, three
wishes granted by a genie, etc. Therefore, one should pay attention to number
symbolism in fairy tales, and the part it plays. Three may also be seen a number of rebirth. Christ was resurrected after three days. Jonah spent three days in the belly of a great
fish. When two circles overlap, the resulting shape
is called the vesica piscis (literally, “the bladder of a fish”). It resembles the ichthys, a fish symbol associated
with Jesus. This almond-shaped segment is also called
a mandorla, in which we can often see Christ in its centre. This is the hypostatic union that describes
Christ as both perfectly divine and perfectly human, having two complete and distinct natures
at once (a reconciliation of opposites). Three is a symbol of perfection. However, Jung was not concerned with perfection,
but rather wholeness, and for that imperfection is needed. “Life calls not for perfection but for completeness;
and for this the “thorn in the flesh” is needed, the suffering of defects without
which there is no progress and no ascent.” Jung devoted practically the whole of his
life’s work to demonstrating the vast psychological significance of the number 4, the symbol for
becoming conscious of wholeness. In his book, Answer to Job, Jung states that
the Christian trinity lacks a fourth element, namely, the dark side of God as a compensation
to the light side of God, as well as the feminine (Virgin Mary), the earth, and the body. Von Franz states that “trinitarian thinking”
lacks a further dimension. She writes:
“[I]t is flat, intellectual, and consequently encourages intolerant and absolute declarations. It is erroneous to evaluate our insights by
naively attributing eternal validity to them. When an individual becomes aware of this differentiation,
a transformation of consciousness results, in which the ego no longer identifies its
insights with an “eternal” verity, but distances itself and becomes capable of comprehending
the insight as only one of many possible revelations contained within the unknown psychic and universal
background of existence.” Three enables the symbol of wholeness to manifest
itself, which cannot be attained if the ego is seen as the centre of the total personality,
or if we deny the shadow, the unknown and hidden qualities of ourselves. This would cause a psychic imbalance. A proper relationship is expressed in the
ego-Self axis, where equal value is put in one’s inner life and outer life. In this way, a new and unique chapter in our
life’s story can be realised and lived consciously and humanly in time and space. Four is a symbol of the Self, represented
by the mandala. The psychic images of wholeness which are
produced spontaneously by the unconscious are as a rule quaternities, or their multiples
(8, 12, 16, etc). The mandala is an image of the unity of life. It is typically used as an instrument of meditation
on the sacred wholeness of the world. It contains a mathematical structure, a detail
which made Jung realise that the unconscious somehow avails itself of the properties of
whole numbers. He writes:
“The mandala symbolises, by its central points, the ultimate unity of all archetypes
as well as of the multiplicity of the phenomenal world, and is therefore the empirical equivalent
of the metaphysical concept of the unus mundus.” These structures not only express order, they
also create it. That is why they generally appear in times
of psychic disorientation in order to compensate a chaotic state or as formulations of numinous
experiences. Just as the three comes out of a pairing of
one and two, so is four related to the prior numbers. This is expressed in the ancient alchemical
axiom of Maria Prophetissa, “One becomes two, two becomes three, and out of the third
comes the one as the fourth.” This means that the number three, taken as
a unity related back to the primal one, becomes the fourth. This four is understood not so much to have
“originated” progressively, but to have retrospectively existed from the very beginning. We can compare this with the Tetragrammaton,
the name of God in the Hebrew Bible, which contains four letters: yod, he, waw, he (transliterated
as YHWH - Yahweh). There are three different letters, with the
fourth being a repetition of the second. To that extent, the essential name is a triad. But since the letter “he” is doubled,
the name is also a quaternity. A similar notion is found in Taoism:
“The Tao gave birth to One, The One gave birth to Two,
The Two gave birth to Three, The Three gave birth to all of creation.” Thus, we begin at one, and end up at one again. As T.S. Eliot stated, “The end of all our exploring,
will be to arrive where we started, and know the place for the first time.” We have need of the word, but number is a
much more important thing. In essence, number is sacred. “The quaternity, above all, is an essential
archetype. The square, the cross. The squaring of the circle by the alchemists. The cross in the circle, or, for the Christians,
Christ in ‘glory.’” The squaring of the circle is a symbol of
the philosophers’ stone, where all the principles of alchemy take place. In the image, we first have the outer circle,
a representation of wholeness. Within it, is a triangle, representing salt,
sulphur and mercury. Then we have a square (the four elements). When all these are brought together, we get
once again the circle of totality. This can be repeated ad infinitum. Hippocrates, considered as the father of medicine,
formulated humourism, in which four bodily fluids affect human personality traits. This proto-psychological theory indicates
four personality types: phlegmatic, melancholic, sanguine, and choleric, which can be compared
to Jung’s four basic psychological functions: thinking, feeling, sensation, and intuition,
that are identical to the four elements: air, water, earth, and fire. The Swiss physician and alchemist Paracelsus
compared the elements to four nature spirits: slyphs, undines, gnomes, and salamanders. Jung writes:
“[A]s soon as the unconscious content enters the sphere of consciousness it has already
split into “four”, that is to say, it can become an object of experience only by
virtue of the four basic functions of consciousness. It is perceived as something that exists (sensation);
it is recognised as this and distinguished from that (thinking); it is evaluated as pleasant
or unpleasant, etc. (feeling); and finally, intuition tells us where it came from and
where it is going.” Jung uses the equation “3 + 1 = 4” to
express the psychological fact of our 3 differentiated functions, plus 1 that is undifferentiated,
called “the inferior function”. The number 4 represents the totality of the
personality—this is why in the psychology of religion, the “4” represents to Jung
the necessary complement to the Christian Trinity, as the “dark”, feminine element
completing the Trinity to the Quaternity as a totality. However, because of its contamination with
the collective unconscious, the inferior function is very difficult to confront, as it is archaic,
mystical and primitive, the complete opposite of our “dominant function.” For example, the inferior function of a thinking
type would be feeling. It is where you are likely to encounter the
shadow, which also contains the “treasure hard to attain”. The alchemists thought that all nature consisted
of four elements, and that the quintessence was the common substance of these, so that
the four elements go back to their oneness in the fifth essence or aether, the material
that fills the region of the universe. Similarly, Plato compared these five elements
to the five platonic solids, the fifth of which “the god used for arranging the constellations
on the whole heaven.” One of the most important teachings in Buddhism
are the Four Noble Truths, which represent the awakening and liberation of the Buddha,
and the potential for his followers to reach the same liberation as him. The English visionary artist William Blake
speaks of four types of vision, each with increasing intensity. The ultimate one is fourfold vision, a glimpse
of eternity, whereby the smallest things in the world hold the cosmic truth for those
with eyes to see. He writes: “To see a world in a grain of
sand, and a heaven in a wild flower, hold infinity in the palm of your hand, and eternity
in an hour.” Classical philosophy and Christian theology
speak of the cardinal virtues: prudence, justice, fortitude and temperance. The four evangelists, Matthew, Mark, Luke
and John are associated with the cherubim, winged chimeras that have four faces, usually
described as that of a lion, an ox, a human, and an eagle. This association is known as the tetramorph. The cherubim are the moving forces of the
ophanim, the wheels of God’s fiery chariot, which appear as four wheels within wheels
in constant motion, and covered with eyes. In the Book of Revelation, four angels stand
on the four corners of the earth, holding back the four winds of the earth. The Four Horsemen of the Apocalypse also appear,
often identified as personifications of Death, Famine, War and Conquest. According to the Prose Edda in Norse mythology,
four dwarfs hold up the sky, supporting the world after it was made by the gods. There are four seasons (Spring, Summer, Autumn,
and Winter), and four cardinal points (East, West, North, and South). In various mythologies and cultures, the “four
winds” are associated with specific deities representing the cardinal directions. The Mesopotamians identified them as four-winged
beings, three of which are male and one female. In China there are the Four Symbols, the Azure
Dragon of the East, the White Tiger of the West, the Black Tortoise of the North, the
Vermilion Bird of the South. The Roman poet Ovid speaks of the Four Ages:
The Golden Age (justice, peace, happiness, and abundance of resources), the Silver Age
(agriculture, architecture, the emergence of seasons, competition, and social organisation),
the Bronze Age (a decline in morality and increase in violence), and the Iron Age (the
lowest point in human history: impiety, greed, crime, moral decay). The same theme is found in the four yugas
or world ages of Vedic astrology. Four is called the tetrad and early Pythagoreanism
associates it with justice. The sum of the first four numbers equals to
ten (the decad), which Pythagoras considered as the most holy number of all. All things spring from ten, which symbolises
unity arising from multiplicity. This is present in the Tetractys, a sacred
Pythagorean symbol, which initiates were required to swear a secret oath to, as it is what contains
the source and root of eternal nature. It is a triangular figure consisting of ten
points in four rows. The first row or single point is God, the
second row is duality, the third row is the union of matter and spirit, and the fourth
row represents the quadrivium “the four ways” (arithmetic, music, geometry, and
astronomy). Here ends the psychological exploration of
numbers. We’ll now look at some esoteric and symbolic
meaning of the numbers 5 to 10. The number five is the sum of the first even
and odd numbers (2 and 3). In alchemy, it represents the holy marriage
(hieros gamos) of male and female, the sun and the moon, King and Queen, the anima and
the animus. This leads to the union of opposites and the
creation of the philosophers’ stone or the Self. The Pythagoreans call the pentad “lack of
strife”, and it is linked to life and vitality. There are five senses (sight, hearing, smell,
taste, and touch). Five is a holy number in Christianity, as
Christ suffered five wounds during his crucifixion: the nails on his hands and feet and the wound
from the Holy Lance which pierced His side. These wounds have been the focus of prayer
and contemplation, “by his wounds we are healed.” Six is considered the first perfect number,
since it is both the sum and the multiplication of the first three numbers. The perfection of six is shown in the six
days of creation in Genesis, where God saw that all the things which he had made were
very good. This is cosmic order and harmony. On the sixth day, man was created in the image
of God. Seven is considered the most mystical of all
numbers. It symbolises fullness and completion, as
it is the day God finished his work, blessed it, and rested. Thus, it is known as the Sabbath, the day
of rest. Seven is the most repeated number in the Bible. Of the unclean animals, God tells Noah to
take one pair, male and female, into the ark. But of the clean animals and birds, Noah was
to take seven pairs. It is a number of purification (“Go and
wash in the Jordan seven times, and your flesh shall be restored to you, and you shall be
clean”), of divine praise (“Seven times a day do I praise thee because of thy righteous
judgments”), and of divine planning, seven people were named before their birth by the
angels or God. There are seven colours, seven days of the
week named after the seven classical planets, associated with the seven Roman gods. In Mithraism, there were seven degrees of
initiation, connected to the seven planetary spheres, through which the soul rose to paradise. There are seven archangels, seven sacraments,
seven deadly sins (and virtues), seven chakras, seven enlightened sages in ancient India,
etc. In Judaism and Islam there are seven heavens. The number eight is often associated with
infinity, given its shape. Its symmetry suggests balance and harmony,
and it is a multiple of 4 (symbol of wholeness). The Chinese consider it the luckiest number,
as its pronunciation, bā, sounds similar to fā (wealth or prosperity). In Buddhism, the Noble Eightfold Path is a
fundamental teaching, consisting of eight steps that lead to enlightenment. Nine is the highest single-digit number and
represents the ultimate achievement and completion of a cycle. It is a symbol of spiritual attainment and
the return to the divine. In Dante’s Paradise, the ninth celestial
sphere is the Primum Mobile (the First Mover), it is the last sphere of the universe, moved
directly by God, and the abode of angels. From here, Dante ascends to the Empyrean,
the abode of God, where he experiences the ineffable and union with God. Plotinus, the founder of Neoplatonism, is
known for his book, The Enneads, compiled by his student in six groups of nine treatises. For the Neoplatonist, the highest task of
life is union with what they call “the One”, attained through theurgy (working with God). Nine is dedicated to the Nine Muses, the inspirational
Greek goddesses. There are also nine choirs of angels arranged
in a hierarchy based on their proximity to God. Finally, ten is the universal number, complete,
and signifying the full course of life. There are ten commandments in the Bible, and
in Jewish mysticism, the Kabbalistic Tree of Life is composed of ten sephiroth or spheres,
which are emanations of Ein Sof (The Infinite). As we have mentioned, Pythagoras considered
the decad to be the holiest number. It flows back into a unity, from whence it
came so everything that is flowing is returned back to that from which it had the beginning
of its flux. Water returns to the sea, the body returns
to the earth, time returns into eternity, the spirit returns to God. The decad is the limit of all number: for
they run their course by wheeling and turning around it. The sum of the parts of any number until it
is reduced to one single digit is always between 1 and 9. This concludes the brief exploration of the
numbers 5 to 10. Now, it may be good to revisit the prior main
themes. We started by emphasising the importance of
numbers as having not just quantitative properties but also qualitative ones (for Pythagoras
they were divine). We mentioned how in ancient times people associated
mystical meaning to words and names based on their numerical value, which became the
basis for 20th century numerology that seeks to understand personality through numbers. Then we looked at how number is the most primitive
archetype (the archetype of order), and provides a vital link between matter and psyche (united
by the unus mundus), which explains synchronicity. Our main focus, however, was on the psychological
exploration of the first four numbers which form the basis for all the rest of the numbers,
and as such it is not surprising that they are the most recurring ones in the psyche:
1 being a state of unity, non-differentiation and potential; 2 the origin of a conflict
for bringing the potential to consciousness; 3 the resolution of that conflict through
a synthesis, and 4 the integration of the unconscious insight into human consciousness,
in order to progress towards wholeness—a return to unity on a higher level of consciousness—which
remarkably symbolises the human creation myth and the purpose of life. To paraphrase Pythagoras, “Number rules
the universe.”
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